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![]() Wound 1. 2012Environmental art. Sites Pacific Project (No mans Land) Wound is Yoni. Wound is the earth damaged and subordinated, through war, greed, power and ignorance. Wound is Trauma. The Vesica Pisces is the shape of creation. People are damaged, subordinated and exploited, We are like nature. Nature is healing and in time learns to heal itself as we do. | ![]() Wound 1. 2012 |
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![]() Wound 2. 2012The areas I designated for these particular pieces are chosen because of there shape and form in relation to the concept. Trees which have fallen or are decaying, where branches have been cut or fallen and the tree heals itself and forms a rounded oval shape which represents a wound/yoni. I look for these recurring shapes whilst out and about in nature to install red material or paint, all biodegradable and non-harming to any trees or eco systems. | ![]() Wound 3. 2012Yoni is the shape of creation, the Vagina, the Vesica Pisces. The Vesica Pisces represents balance and creation, the first shape made within the Flower of Life. It is in nature and the human body. |
![]() Wound 3. 2012 | ![]() wound 4. 2012 |
![]() Hope. 2012 | ![]() Hope. 2012 |
![]() Circle of Life. 2012The spiral, representing life, ever flowing. Breathing, the journey, birth to death, rebirth, in nature as in spirit, through seasons and life cycles. The reflections, the trees and clouds, the tide washing away its never permanent structure adds to the concept of its meaning, ebbing away tide by tide and wave by wave. Like the change of seasons from a year to a day, to hours of time. | ![]() Circle of Life. 2012The spiral, representing life, ever flowing. Breathing, the journey, birth to death, rebirth, in nature as in spirit, through seasons and life cycles. The reflections, the trees and clouds, the tide washing away its never permanent structure adds to the concept of its meaning, ebbing away tide by tide and wave by wave. Like the change of seasons from a year to a day, to hours of time. |
![]() Beach Angel. 2006Beach combing | ![]() Beach Angel. 2006 |
















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